Technocats- Passionata (The Music of Gregg Hill) [Cold Plunge Records]
Dynamic jazz ensemble Technocats returns with their latest full-length release, "Passionata (The Music of Gregg Hill)," an ambitious and swinging exploration of the acclaimed composer's catalog via Cold Plunge Records. Released in late August 2026, the album is driven by bandleader and bass trombonist Chris Glassman, who—alongside the core rhythm section of guitarist Nathan Borton and bassist Javier Enrique—is joined by a stellar cast of established icons and rising powerhouses, including virtuosic saxophonist Walter Blanding. Together, the group reimagines Hill’s intricate compositions as an engaging, cohesive conversation, seamlessly blending deep, infectious grooves with sophisticated symphonic jazz and subtle Latin influences. More than just a collection of individual tracks, "Passionata" is designed as a richly narrative, deeply human musical journey that balances intense emotional exploration with moments of playful humor. The result is a bold, soulful, and captivating release that invites repeated listening, rewarding jazz aficionados with its brilliant arrangements and undeniable artistic maturity.
Roosevelt Diggs- Take My Time [Self-Released]
West Michigan Americana quartet Roosevelt Diggs continues to refine their signature roots-rock sound with their latest self-released single, "Take My Time". Released on August 21, 2026, as the title track to their newest album, the song perfectly captures the kinetic, live-wire energy that has made the band a staple of the regional music scene for over a decade. Centered around the lifelong musical bond of brothers Levi and Logan Duddles, and anchored by the driving rhythm section of bassist Jon Shears and percussionist Jeff Leitch, "Take My Time" leans heavily into the rock-infused side of their folk, country, and bluegrass melting pot. Following their win for Listener's Choice Artist of the Year at the 2024 WYCE Jammie Awards, the group delivers a heartfelt, foot-stomping anthem that proves once again their mastery of authentic, emotionally resonant Americana.
Shy-Anne Hovorka- Raise My Fist [Raise My Fist]
Award-winning Ojibwe singer-songwriter Shy-Anne Hovorka returns with her powerful new single, "Raise My Fist," an expansive, community-driven anthem featuring more than 30 Indigenous and ally artists. Released in late August 2026, the track seamlessly blends traditional drumming with contemporary instrumentation, creating a resilient and deeply emotional sonic landscape. Inspired by the stories of former Long Lake #58 First Nation Chief Judy Desmoulin, "Raise My Fist" transcends a traditional solo release to become a shared celebration of Indigenous strength, unity, and the ongoing journey of reconciliation. With its soaring chorus and deeply collaborative spirit—incorporating children's voices alongside experienced vocalists—the song serves not as a symbol of anger, but as a courageous, unified refusal to let history define the future, offering listeners a beautiful, necessary call to action.
The Thoughtlife- Still Breathing [Self-Released]
Detroit-based rock outfit The Thoughtlife returns with their latest self-released anthem, "Still Breathing," an electrifying collaboration featuring fellow post-hardcore contemporaries Adventurer. Released in mid-August 2026, the four-and-a-half-minute track seamlessly channels the raw, narrative-driven energy that has defined the group since their ambitious 2016 debut album, Monsters & Revelations, pairing massive, melodic hooks with an aggressive rhythmic punch. "Still Breathing" highlights the band’s continuing evolution and mastery of dynamic tension—building from evocative, emotionally charged verses into a soaring, cathartic chorus. It stands as a testament to the resilient spirit of independent rock, offering both longtime listeners and newcomers a powerful, authentic track that fully lives up to its defiant title.
Linda Sikhakhane- LINDA [Blue Note Records]
With his self-titled fifth album, LINDA, acclaimed South African saxophonist and composer Linda Sikhakhane delivers his most deeply personal and introspective work to date. Released via Blue Note Records, the project represents a profound milestone in his artistic journey, seamlessly blending spiritual jazz, rich African heritage, and vibrant contemporary influences. Produced by frequent collaborator Nduduzo Makhathini, the album pairs Sikhakhane's exceptional horn work with a stellar rhythm section—featuring pianist Cameron Campbell, bassist Conway Campbell, and drummer Kabelo Mokhatla—alongside a captivating array of special guests including Omagugu and ZuluBoy. Inspired by the pursuit of discovering one’s life purpose and deeply rooted in his rich cultural ancestry, Sikhakhane has crafted an absorbing, celebratory offering that further solidifies his place as a rising luminary on the global jazz stage.
Martha Reeves- Searching [Fun Day Records]
With the highly anticipated release of her single "Searching," Motown legend Martha Reeves makes a triumphant return to the spotlight via Fun Day Records. Serving as the title track of her first new album in twenty-two years, the project was produced by New Orleans jazz royalty Delfeayo Marsalis alongside Reeves' manager, Chris Roe. Released in August 2026, "Searching" effortlessly delivers classic R&B and Soul sensibilities, proving that the iconic voice behind indelible 1960s hits like "Dancing in the Street" hasn't lost an ounce of its magic. Brimming with emotional depth and a timeless groove, the track not only celebrates Reeves' unparalleled legacy as a pioneer of the Motown sound but also introduces her renowned artistry to an entirely new generation of listeners.
Abby Nissenbaum- Gentleman [Self-Released]
With her self-released single "Gentleman," Nashville-based LGBTQ+ indie-rock artist Abby Nissenbaum brilliantly flips the script on traditional country music’s "dream man" trope. A standout track from her EP Want to Be Wrong, the song delivers an infectious blend of 80s and 90s country-pop infused with a vibrant, "Sapphic honky-tonk attitude." Produced by Martin Trevox and mixed by Fede Catenaro, "Gentleman" pairs raw, unfiltered vocals with cheeky, subversive lyricism that trades dusty pickup truck clichés for witty, New England-inspired authenticity. Ultimately, Nissenbaum serves up a rip-roaring, humorous, and unapologetic anthem that proves country music's conventions are ripe for a modern, inclusive reinvention.
Brent Jones- Praise In The Choir [JDI Entertainment]
Gospel industry veteran Brent Jones brings a rafter-raising blend of traditional Sunday morning energy and electric R&B grooves to his latest release, Praise in the Choir Stand, out on JDI Entertainment. Recorded live at Friendship Baptist in California, the project shines a heavy spotlight on the Best Life Choir, effectively evoking the massive, full-throated ensemble sounds of the 1980s and 1990s. Jones expertly leads the call-and-response with a swaggering confidence, delivering an uplifting, hand-clapping experience from start to finish. By beautifully capturing the spiritual and physical thrill of a live gospel program, the release stands as a funky, joyous testament to the enduring power of the contemporary church choir.
The OWLiNG- Intravenous Flow [Self-Released]
Hollywood-based, two-piece alt-metal outfit the OWLiNG delivers a massive, cinematic sound on their self-released EP, Intravenous Flow. Formed by guitarist and vocalist KaL MichaeL alongside drummer Art Quanstrom, the duo crafts a heavy, atmospheric blend of slow doom grooves and gritty 1990s alternative metal. Drawing clear inspiration from the sludgy, riff-driven foundations of acts like Black Sabbath, Melvins, and Alice in Chains, Intravenous Flow balances raw, emotional intensity with abstract, poetic songwriting. Across the release's five tracks and 24-minute runtime, the OWLiNG proves that an ambitious, heavy sound doesn't require a full lineup, offering a dark and melodic listening experience that feels far bigger than just two people.
Haruna Fukazawa- Plays at the Wrong Time [Orange Paw Records]
New York-based, Tokyo-born flutist and composer Haruna Fukazawa returns with Plays at the Wrong Time, a brilliant new jazz release out on Orange Paw Records. Leading a stellar quintet that features Steve Wilson on soprano saxophone and flute, Fukazawa showcases her warm, swinging tone and joyful, powerful playing style. The album leans into a modern yet timeless straight-ahead jazz sound. Her robust interplay with a rhythm section comprising David DeMotta on piano, Bill Moring on bass, and Steve Johns on drums makes for a deeply engaging listen. It is a fantastic, highly crafted jazz outing that beautifully highlights the dynamic possibilities of the jazz flute.
Mary Garnett Edwards- Boneyard [Self-Released]
Vancouver-based singer-songwriter Mary Garnett Edwards delivers a haunting, visceral narrative in her self-released folk single, "Boneyard". Known for her deep roots in the Canadian music scene, Edwards uses this raw track to explore heavy themes of poverty, broken trust, and a violent conclusion within a small-town setting. The song taps into the darker, storytelling traditions of authentic folk music, relying on atmospheric instrumentation and an emotive vocal delivery to draw the listener in. It is a compelling and unflinching piece of songcraft that highlights Edwards's seasoned ability to paint vivid, cinematic pictures through her music.
Classic Blues from Smithsonian Folkways Recordings [Smithsonian Folkways Recordings]
Spanning a half-century of recordings from 1942 to 1992, Classic Blues from Smithsonian Folkways Recordings is an essential 26-track journey through the roots of the genre. Recently receiving its first-ever vinyl reissue as a double LP, this foundational collection highlights the immense cultural preservation efforts of Moses Asch and the Folkways label. The compilation surveys diverse regional styles—including the Mississippi Delta, the East Coast, Chicago, and Texas—featuring legendary performances by Lead Belly, Son House, Lightnin' Hopkins, Big Bill Broonzy, and Memphis Slim. It offers an authentic, scholarly look at the blues, capturing everything from raw, unaccompanied vocal tracks to boisterous barrelhouse piano. It is a vital listening experience for blues purists and anyone looking to explore the bedrock of original American roots music.
Melba Moore- Love Wins Every Time [Label- Gallery Ent]
Tony Award-winning, multi-Grammy-nominated R&B and Broadway legend Melba Moore returns with a timeless message of hope on her new single, "Love Wins Every Time". Released through The Gallery Entertainment—the independent label headed by her daughter, Charli Huggins—the track glides over a sophisticated, mid-tempo adult soul groove. Moore's ageless, enduring vocals deliver an uplifting anthem about the unstoppable power of love and healing during difficult times. Produced by Rahni Song and Chloe Barjona-Dunbar, the song perfectly captures the polished, heartfelt R&B sweet spot that Moore has commanded for decades. For listeners seeking an inspiring message wrapped in elegant, classic soul music, "Love Wins Every Time" provides a much-needed ray of light and is an essential addition.
Drew Kiddoo and The Blackouts- Black Widow [Self-Released]
Hailing from Ithaca, New York, Drew Kiddoo and The Blackouts bring a gritty, rockabilly edge to modern honky-tonk, and their self-released new single, "Black Widow," is a perfect showcase of their dark, twangy sound. Blending classic 1960s country sensibilities with a rowdy rock 'n' roll soul, the track wraps dust-bitten storytelling into a heavy, intoxicating rhythm. It is exactly the kind of unvarnished, authentic Americana that thrives on independent radio. If you like your roots music with a bit of a bite, plenty of swagger, and a smoky atmosphere, "Black Widow" is a must-add to your rotation.
Walls Of Jericho- The Ascent [Napalm Records]
Detroit metallic hardcore legends Walls of Jericho return with relentless force on "The Ascent," the menacing lead single from their highly anticipated album, System Error: Humanity. Fronted by the ferocious and unmistakable vocal assault of Candace Buckingham, the track is a masterclass in primal aggression. Tense from the very first notes, it hurls dissonant riffs and claustrophobic, massive breakdowns at the listener with undeniable, crushing weight. It’s an uncompromising taste of a record that confronts modern conformity while fighting to reclaim individual identity. By perfectly capturing the raw, chaotic energy of their legendary live performances, this blistering comeback track delivers a massive dose of heavy, confrontational power that makes an essential addition to the heavier underground programming here at WHFR.